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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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About Face articles

Thomas Woolner

The mystery of Enoch Arden

About Face article

Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?

Angus Trumble with Self portrait at easel by Fred Williams

Autumn in Canberra

About Face article

In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Magna Carta

About Face article

On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.

Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

About Face article

Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.

Barry Humphries

Talking heads

About Face article

In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.

Trumble's way

About Face article

At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

Jon (Jon Muir)

Roam alone

About Face article

Jon Muir, adventurer and Portrait Gallery Collection subject, really knows about isolation.

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Sir Douglas Mawson

Staying home

About Face article

Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.

Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.

The eye and the heart

About Face article

Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

About Face article

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

Helen Borthwick née Pearson

The personal and the historical

About Face article

Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.

The Triumph of Death, c. 1562 by Pieter Bruegel the Elder

The Black Death

About Face article

The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency